Wednesday, September 03, 2008

iPod log 5: transcontinental soundtrack.

This is what I was listening to on American Airlines Flight 16 (see my immediately previous post) from the time the cabin steward said it was OK to turn on electronic devices until turnoff time as we approached JFK (with a small interruption for drink orders). As usual, the iPod was set to play in random order. No extensive commentary, as this is a long list.

Incredible String Band, "Black Jack Davy".

Ruth Brown, "Mama, He Treats Your Daughter Mean".

Richard and Linda Thompson, "Wall of Death". She was pregnant, and they were in the throes of divorce when this was recorded as part of Shoot Out the Lights, one of the most emotionally wrenching rock albums ever.

Orpheus Chamber Orchestra, Handel: Water Music, Suite 2, alla hornpipe.

Sue Foley, "Shake That Thing". If you think "Canadian blues singer" is an odd concept, listen to this lady.

Elvis Costello, "Lovable".

Uncle Tupelo, "Whiskey Bottle".

Rolling Stones, "Tumbling Dice".

Fleetwood Mac, "Buddy's Song" (see here).

Rolling Stones, "It's All Over Now". The series of guitar runs at the end of this song makes me think of Allen Ginsberg's line from Howl: "[T]he crack of doom on the hydrogen jukebox."

Stop, Inc., "Second Line". Lively instrumental R&B from the city that dodged Gustav's bullet.

International Submarine Band, "Miller's Cave". Gram Parsons' pre-Byrds, pre-Burritos group does a Bobby Bare classic.

Beach Boys, "Darlin'".

Aretha Franklin, "You Make Me Feel Like a Natural Woman".

The Band, "The Night They Drove Old Dixie Down".

Marshall Chapman, "Don't Leave This Girl Alone" (see here).

Rod Stewart, "Tomorrow Is Such a Long Time".

J. Geils Band, "Hard Drivin' Man".

Bothy Band, "The Morning Star/ Fisherman's Lilt/ Drunken Landlady" (see here).

Altan, "Come Ye By Atholl/ Kitty O'Connor".

John Stewart, "Omaha Rainbow" (see here).

Lucinda Williams, "Lines Around Your Eyes".

Seldom Scene, "Little Georgia Rose".

Vampire Weekend, "Walcott" (see here).

Rod Stewart, "Every Picture Tells a Story" (see under Maggie Bell, below).

The Maytals, "Sweet and Dandy" (see here).

Woody Guthrie, "This Land Is Your Land" (this was playing as we flew over the desolate sand hills of western Nebraska).

Doug Sahm, "Poison Love".

Planxty, "The Jolly Beggar/ Reel" (see here).

Sam Cooke, "Chain Gang".

LaVern Baker, "Jim Dandy".

Chuck Berry, "Back in the USA".

Guy Clark, "Texas, 1947". One of my favorite train songs.

Marshall Chapman, "Why Can't I Be Like Other Girls?" Her signature piece (see above).

The Mamas and the Papas, "Twelve-thirty". I've loved this song since my first year of law school. Of the original four Ms&Ps, only Michelle survives.

Jefferson Starship, "Caroline". Marty Balin opens a vein.

Jaynetts, "Sally Go Round the Roses". Weirding me out since 1963.

Wolfgang Schulz and Hansjörg Schellenberger: Mozart, "Duet for Flute and Oboe" (Papageno's aria from The Magic Flute).

Gram Parsons, "Love Hurts". With Emmylou Harris.

Little Richard, "Rip It Up".

The Kinks, "Lola" (live version). I first heard the studio version of this song on a flight to California in 1970.

Arthur Conley, "Sweet Soul Music".

Fairport Convention(see here), "Tam Lin". From the great Liege and Lief album, with the late Sandy Denny on lead vocal.

Fairport Convention, "Sir Patrick Spens".

Smokey Robinson, "I Second That Emotion". Dylan called him "America's greatest living poet."

Fairport Convention, Si tu dois partir (see here).

Marshall Chapman, "You Asked Me To". Marshall does Waylon.

Beach Boys, "Please Let Me Wonder".

The Youngbloods, "Sugar Babe". Part of the soundtrack for Antonioni's Zabriskie Point.

Holmes Brothers, "Up Around My Head". Old friends from the days when they played Dan Lynch's on Second Avenue.

Otis Redding and Carla Thomas, "It Takes Two". From the great King and Queen album.

Adrienne Young with Little Sadie, "Hills and Hollers".

Emmylou Harris, "Time in Babylon".

Steeleye Span, "Weary Cutters/ New York Girls". The latter features Peter Sellers on ukulele and witty asides.

The Kingston Trio, "Utawena" (see here).

Royal Teens, "Believe Me". In my estimation, the epitome of adolescent angst songs--even cuts Dion's "Teenager in Love". If you don't (ahem!) believe me, give it a listen. Bob Gaudio, who plays the tinkling piano on this, went on to become one of the Four Seasons and wrote their first mega-hit, "Sherry".

Fleetwood Mac, "Go Your Own Way".

The Chieftains, "Lord Mayo".

Fairport Convention, "I Don't Know Where I Stand". The original lineup, with Judy Dyble (also see here).

Maggie Bell, "Queen of the Night". Someone once wrote, and I agree, that when she joins Rod Stewart on the line "She claimed that it just weren't natural", in the song "Every Picture Tells a Story", it's one of the most electrifying moments in rock.

The Melodians, "Rivers of Babylon". The Bony M version of this was a fixture on the Bells of Hell jukebox.

Townes Van Zandt, "Two Hands". I loved this guy. Sad to see him gone so young.

Amy Speace, "Double Wide Trailer". Keep an eye on her.

Nitty Gritty Dirt Band, "Sunny Side of the Mountain". From Will the Circle Be Unbroken, and featuring Jimmy Martin.

Judy Collins, "Pirate Jenny".

Sam Cooke, "Another Saturday Night".

Delbert McClinton, "Before You Accuse Me".

The Clash, "Clampdown".

Wynton Marsalis: Jeremiah Clarke, "The Prince of Denmark's March".

The Cellos, "What's the Matter For You?" (see here).

Neil Young, "Saddle Up the Palomino".

Jefferson Airplane, "Today". This 60s psychedelic love song provided a fitting close to a journey from San Francisco.

So, almost five hours of music: seventy two pieces, out of a total of 691 loaded on my iPod at present. This isn't what I consider a truly representative sample: light on classics, rockabilly and punk; no jazz; no hard-core Chicago blues; no Dead or Dylan. Still, a good set for a long plane ride.