"[A] delightfully named blog", (Sewell Chan, New York Times). "[R]elentlessly eclectic", (Gary, Iowa City). Taxing your attention span since 2005.
Sunday, September 29, 2024
Kris Kristofferson, 1936-2024
Sunday, September 18, 2022
Run Rose Run, by Dolly Parton and James Patterson
Until a few weeks ago I was one of, I'm sure, a minority of regular American book readers who had never read anything by James Patterson. This isn't because of distaste for his kind of fiction. Until about twenty years ago, I was a fairly frequent reader of "thrillers" and mysteries. What killed that habit was the internet. For one thing I started this blog. Shortly after I did, I became a contributor to, and later editor of, the Brooklyn Heights Blog. Time spent researching and writing cut into time for purely recreational reading. While I was ignorant of Mr. Patterson's work, other than by reputation, I wasn't of Dolly Parton's. I've been a fan of country music since my childhood, when it was what I heard on the car radio when my parents and I made our annual triangular trip from Florida to visit relatives in central Pennsylvania and southern Indiana. I first knew of Ms. Parton when I read that Jerry Garcia was a great fan. Despite that recommendation, I can't say she's my favorite woman country singer. Her voice seems a little too saccharine. I prefer the harder edged sounds of Emmylou Harris, or Lacy J. Dalton. I love it when Dolly joins Emmylou and Linda Ronstadt on harmony, for example on Rodney Crowell's "Even Cowgirls Get the Blues" from Emmylou's album Blue Kentucky Girl, and later on Neil Young's "After the Gold Rush" on the splendid Trio album the three of them made in 1987.
I have other reasons for liking Ms. Parton. Her philanthropic activities are well known; especially her Imagination Library, which provides free books for children. I give her kudos for purchasing two Baldwin built narrow gauge steam locomotives from Alaska, now named "Klondike Katy" and "Cinderella." that power the Dollywood Express on tours through the Great Smoky Mountain foothills. I've been a train buff since early childhood when, on visits to my grandmother in Tyrone, Pennsylvania, Dad would take me to the station to watch traffic, much then steam powered, on the four track main line of the Pennsylvania Railroad. Trains are also a popular theme in country music.
The next thing we know about AnnieLee, she's arrived at her destination, Nashville, somehow without wrecking, or being arrested for driving, a very large stolen vehicle with a trailer likely loaded with hot merch. Why Nashville? She's a musical prodigy; someone who can spin a song from a moment's thought, and can play guitar.
"It's a hard, tough business . . . A tiny thing like you? You'll get chewed up and spit out like a hunk of gristle. Sure, you might taste success, but you're more likely to end up broke and alone."
AnnieLee's response to this includes an F-bomb. Of course, this isn't the end of the adventures these three characters -- AnnieLee, Ethan, and Ruthanna -- will have together, each while dealing with their fears, regrets, and secrets. AnnieLee, with help from Ruthanna and Ethan, will "taste success" in plentiful draughts, while escaping occasional attempts by mysterious men to kidnap her. The last of these will lead to another improbable occurrence: her surviving a four story fall from a hotel balcony.
Improbables aside, this was a book that kept me going; 409 pages in three days. The writing is concise and compelling. As I noted above, I was not familiar with Mr. Patterson's style. It may be best described as a lack of "style." There are no flourishes. He is sparing in his use of adjectives; he does not tell you something is "horrifying"; he describes it and lets you draw the conclusion.
Although I'm convinced Ms. Parton could write a novel by herself -- she has written an autobiography -- stylistic uniformity makes me assume Mr. Patterson did all, or almost all, of the composition of the novel's text. Where does that leave Ms. Parton's claim to co-authorship? We know she wrote the lyrics, quoted in the text, of AnnieLee's songs (all of which, including some not quoted in the novel, can be heard here). Beyond that, I'm sure she contributed considerable knowledge of the Nashville music scene -- on that score I have also to recommend my friend Marshall Chapman's autobiographical Goodbye Little Rock and Roller -- and a description of the level of pain a woman's feet can endure from wearing stiletto heels.
Thursday, January 15, 2015
Superurinary texts.
God made Shakespeare, then broke the mold,Or, from the Bluegrass Inn, in Nashville:
God broke the mold, then made Jacqueline Susann,
MAILER will advise God what molds he's trying on,
LSD consumes 47 times its weight in excess reality.Image: Marcel Duchamp, "Fountain" 1917 (original lost). Readymade porcelain urinal. Height 60 cm. Philadelphia Museum of Art.
Tuesday, March 08, 2011
Some music for International Women's Day: Marshall Chapman and Sue Foley
I've had the pleasure of knowing Marshall Chapman for some years, and wrote a long post about her here. I also posted a clip of her singing "I Love Everybody" with the late Tim Krekel and his band here. In addition to being a superb singer and songwriter, she is the author of two books, the autobiography Goodbye Little Rock and Roller and They Came to Nashville (the linked post also has a clip of her doing "Going Away Party" as part of the same set with Danny Flowers at Nashville's Loveless Cafe that includes "I Love Everybody" in the clip above). She also writes a regular column (the linked clip includes another song, and has a very funny ending) for NashvilleArts magazine. Check out Marshall's website, tallgirl.com.
This being International Women's Day, I've gone north of the border to include a clip by the Canadian blues singer Sue Foley, who shares her surname with my wife. I've posted this clip before, but her woman's version of Slim Harpo's "King Bee" is well worth repeating.
Friday, September 17, 2010
New Marshall Chapman video: "Going Away Party", and a plug for her new book.
Marshall's first book, the autobiography Goodbye, Little Rock and Roller, was published in 2003. Her second, They Came to Nashville, has just been published. Her new album, Big Lonesome, will be released next month.
