Box of Rain (2013 Remaster); remembering Phil Lesh (1940-2024)

Sometime in the mid to late '70s -- why this sticks in my mind I don't know -- I saw a large piece of graffiti, simply "PHIL LESH," on the side of a building. I remember thinking he was part of the Grateful Dead, but wasn't sure what part he played. Whatever it was, I thought, it must be important to justify such a tribute.

Now that he has died, I know from his New York Times obituary that he played bass, sang harmony, and occasionally did lead vocals. His vocal is the lead in "Box of Rain" (video above), a song he co-wrote with frequent Dead lyricist Robert Hunter, as a tribute to Lesh's father, who was dying of cancer at the time.

Lesh's father, a piano player, encouraged his son to take up music. Lesh is part of that small set of rockers, like Elton John and the Van Halen brothers, who can be described as "classically trained." His early training included learning to play classical pieces on violin and trumpet, and later he studied under the contemporary Italian composer Luciano Berio. Lesh was also fond of big band and be-bop jazz. These influences showed in his performance as the Dead's bassist. As New York Times pop music critic Jon Pareles put it in this piece, 

Lesh’s bass lines hopped and bubbled and constantly conversed with the guitars of Jerry Garcia and Bob Weir. His tone was rounded and unassertive while he eased his way into the counterpoint, almost as if he were thinking aloud. Lesh’s playing was essential to the Dead’s particular gravity-defying lilt, sharing a collective mode of rock momentum that was teasing and probing, never bluntly coercive.

As Pareles also noted:

His bass lines held hints of Bach, jazz, bluegrass, blues, Latin music and far more, as he sought out new interstices each time through a song.

The reference to bluegrass, a style of music I've long enjoyed, intrigued me. According to the Times obituary, Lesh first met Jerry Garcia when Garcia was playing bluegrass banjo at local East Bay nightclubs. The obituary quotes Lesh on hearing Garcia on banjo:

That was my first intimation that music with that kind of directness and simplicity could deliver an aesthetic and emotional payoff comparable to that of the greatest operatic or symphonic works.

Lesh told Garcia he wanted to learn to play bass. The rest, as the saying goes, is history.

Goodbye, Mets.

I'll say the obvious comforting thing: they did better than expected. They started inauspiciously. At the time I noted that the pundits' consensus was for them to finish fourth in the National League East division. In fact, they finished the season in third place. They had an identical record, 89-73, with their frequent nemeses, the Braves, but the Braves were awarded second place because they had a winning record against the Mets for the season. On September 7 I was cautiously optimistic. I thought the worst they could do was finish third, which they did, though this still got them a wild card slot. They won their three game wild card playoff against the Brewers 2-1; then won the five game divisional playoff against the red hot Phillies 3-1. Some dramatic late inning scoring leading to victories in several games had "team of destiny" chatter going. 

It was not to be. The Mets' regular season record against the Dodgers was 2-4; that also proved to be their record in the National League Championship Series. The Dodgers will now be facing the Yankees in a World Series for the twelfth time, though the first since 1981. Their 1955 Series, when the Dodgers were still in Brooklyn, is memorable for me. This time, though, I'll be rooting for the Yankees.