This song has been going through my head for several days. I suppose it's a metaphor of the time we're living now, when everything seems precariously close to disaster. The video inspired me to look up Lillian La France. She was born Agnes Micek in Kansas in 1894, and became famous as a motorcycle stunt rider in the 1920s and '30s. She's perhaps best remembered for riding the "Wall of Death" which, as you can see from the video, is a circular track with steeply sloping walls so that, near the top, a rider and bike are horizontal to the floor, held from tumbling down only by centrifugal force.
I first knew of Richard Thompson as guitarist, vocalist, and songwriter for Fairport Convention, a band I came to love in the spring of 1970 when I was walking past the dorm room of my law school classmate John Lovett, a Kentuckian and superb banjo picker. John's door was partly open, and from inside I heard spine tingling female and male harmony on what sounded to me like Anglican chant. I knocked and asked John who was doing the song. He said it was Fairport Convention, doing their arrangement of an obscure Bob Dylan piece called "Percy's Song", on their album Unhalfbricking. I didn't rush out and buy the album; I was prepping for finals and working on my third year paper.
When I arrived in New York in June of 1970 I began collecting Fairport albums. The group was very prolific in the years 1968-'70, recording and releasing six albums: Fairport Convention (1968); What We Did on Our Holidays (January 1969); the aforementioned Unhalfbricking (July 1969); Liege & Lief (December 1969); and Full House (July 1970). Thompson played lead guitar and sang on all of these, and co-wrote several of the songs.
In 1971 Thompson left Fairport to begin a solo career, although since the 1980s he has performed at Fairport's Cropredy Convention (formerly the Cropredy Festival), often with present or former members of Fairport. His first solo album, Henry the Human Fly (1972) , was panned by critics and sold poorly, although a reviewer in 2004 called it "a true gem." One of his backing vocalists on the album was Linda Peters, who soon after the album was released married Richard and became Linda Thompson. They then did six albums together. The first, I Want to See the Bright Lights Tonight, recorded in 1973 but not released until '74 because the OAPEC oil embargo made production of vinyl discs expensive, was at first "ignored by reviewers," but "later came to be highly regarded." The next four albums received less praise.
Their last together, Shoot Out the Lights, had a title that ironically referred to their first. It also reflected the state of their marriage at the time it was recorded; they were divorced before it was released in March of 1982. After that, they traveled to The U.S. for a promotional tour during which they were onstage together but otherwise kept apart. The album received much critical praise. Robert Christgau wrote in the July 6, 1982 Village Voice, "these are powerfully double-edged metaphors for the marriage struggle." The song titles tell a tale. They are, in order: "Don't Renege on Our Love"; "Walking on a Wire"; "Just the Motion"; "Shoot Out the Lights"; "Back Street Slide"; "Did She Jump or Was She Pushed?" (all songs were written by Richard, but this has lyrics by Linda); and, finally and fittingly, "Wall of Death."
I've only seen Richard Thompson in live performance once. It was in the early 1990s, when he did a free outdoor concert in Battery Park City, during which he did a splendid rendition of what is, in my estimation, one of his greatest songs, "1952 Vincent Black Lightning." I've delighted in his recordings for over half of my life, and, despite its lack of his guitar fireworks, consider "Wall of Death" one of my favorites.
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